I go with the team also. —Whitman
These are the last days my television says. Tornadoes, more rain, overcast, a chance
of sun but I do not trust weathermen, never have. In my fridge only
the milk makes sense— expires. No one, much less my parents, can tell me why
my middle name is Lowell, and from my table across from the Confederate
Monument to the dead (that pale finger bone) a plaque declares war—not Civil,
or Between the States, but for Southern Independence. In this café, below sea-
and eye-level a mural runs the wall, flaking, a plantation scene most do not see—
it's too much around the knees, height of a child. In its fields Negroes bend
to pick the endless white. In livery a few drive carriages like slaves, whipping the horses, faces
blank and peeling. The old hotel lobby this once was no longer welcomes guests—maroon ledger,
bellboys gone but for this. Like an inheritance the owner found it
stripping hundred years (at least) of paint and plaster. More leaves each day.
In my movie there are no horses, no heroes, only draftees fleeing
into the pines, some few who survive, gravely wounded, lying
burrowed beneath the dead— silent until the enemy bayonets what is believed
to be the last of the breathing. It is getting later. We prepare
for wars no longer there. The weather inevitable, unusual—
more this time of year than anyone ever seed. The earth shudders, the air—
if I did not know better, I would think we were living all along
a fault. How late it has gotten . . . Forget the weatherman
whose maps move, blink, but stay crossed with lines none has seen. Race
instead against the almost rain, digging beside the monument (that giant anchor)
till we strike water, sweat fighting the sleepwalking air.
-Kevin Young
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